FridayOL

At the Karlovy Vary International Film Festival, acclaimed Georgian director Dea Kulumbegashvili delivered a stark warning about the state of artistic freedom in her country. Kulumbegashvili, whose critically acclaimed sophomore feature, “April,” recently won the prestigious Special Jury Prize at the 2024 Venice Film Festival, voiced deep concerns about increasing censorship and a climate of fear that is effectively stifling filmmaking in Georgia.

“There is no way to make films in Georgia at the moment,” Kulumbegashvili stated during a recent interview, highlighting the challenges faced by filmmakers attempting to navigate a rapidly changing political landscape. Her comments underscore a growing sense of unease among artists and intellectuals in Georgia, who fear that hard-won freedoms are being eroded.

“April,” a powerful and intimate drama exploring the lives of a Georgian-French couple and their family, earned Kulumbegashvili international recognition for its nuanced storytelling and compelling performances. The film’s success further amplified her voice, allowing her to speak out against the pressures and restrictions she and other filmmakers are experiencing.

Kulumbegashvili’s concerns are rooted in a perceived shift in government policy and societal attitudes. She cited instances of political interference in artistic projects, as well as a general climate of intolerance towards dissenting voices. The director believes that the current environment discourages filmmakers from tackling sensitive or controversial topics, ultimately limiting the diversity and richness of Georgian cinema.

“The pressure is immense. You feel like you are constantly being watched and judged,” Kulumbegashvili explained. “It’s not just about censorship; it’s about self-censorship. Filmmakers are afraid to take risks, to explore difficult truths, because they fear the consequences.”

The director’s remarks have resonated with the international film community, prompting widespread discussion about the importance of protecting artistic freedom and supporting independent filmmakers in countries facing political instability. Many are calling for greater awareness of the challenges faced by Georgian artists and advocating for measures to ensure their continued ability to create and share their stories.

Kulumbegashvili’s experience serves as a poignant reminder of the fragility of artistic expression and the ongoing need to defend the right to freedom of speech. Her courageous voice, amplified by the success of “April,” is a powerful testament to the enduring spirit of independent filmmaking and the vital role it plays in holding societies accountable.

The situation in Georgia highlights a broader trend of increasing restrictions on artistic freedom around the world. As governments grapple with issues of national identity, security, and political control, artists often find themselves caught in the crossfire. Kulumbegashvili’s warning serves as a call to action for the international community to stand in solidarity with artists and protect their right to create without fear of censorship or reprisal.