FridayOL

Elsa Kremser and Levin Peter, the visionary directors behind the critically acclaimed romantic drama 'White Snail,' recently shared a fascinating and somewhat unsettling detail about their preparation for the film. In a revealing interview at the Sarajevo Film Festival, they disclosed that they spent time working in a morgue to better understand the physicality and emotional weight of death, a theme subtly woven throughout their film.

“White Snail,” set against the backdrop of Belarus and winner of the prestigious Locarno Film Festival, explores a delicate and often taboo subject: depression and suicidal thoughts within a romantic relationship. Kremser and Peter faced the challenge of portraying these sensitive topics with nuance and authenticity, avoiding the pitfalls of cliché that often plague such narratives.

The directors' decision to work in a morgue wasn't about sensationalism; it was driven by a deep commitment to realism. “We wanted to understand the physicality of death,” Peter explained. “The stillness, the pallor, the sheer weight of it. It informed how we approached the scenes dealing with loss and grief.” Kremser added, “It was about grounding the emotional reality in something tangible and visceral, something beyond just acting.”

Beyond the unconventional preparation, Kremser and Peter emphasized their dedication to avoiding tired tropes and predictable storylines. They deliberately steered clear of melodramatic depictions of mental illness, opting instead for a more understated and observational approach. “There’s a tendency in cinema to sensationalize depression and suicide,” Kremser stated. “We wanted to show the quiet desperation, the subtle shifts in behavior, the feeling of being trapped.”

The film’s setting in Belarus also played a crucial role in its unique atmosphere and emotional resonance. The directors chose Belarus for its stark beauty and the sense of isolation it evokes, reflecting the characters’ internal struggles. They meticulously researched Belarusian culture and consulted with mental health professionals to ensure the film’s portrayal of depression was both accurate and respectful.

“White Snail” has garnered praise for its unflinching honesty, its poetic visuals, and its powerful performances. The directors’ willingness to go to extraordinary lengths to prepare for the film—from working in a morgue to carefully avoiding cinematic clichés—demonstrates their unwavering commitment to creating a truly authentic and impactful work of art. The film stands as a testament to the power of thoughtful filmmaking and the importance of tackling difficult subjects with sensitivity and courage. It’s a film that lingers in the mind long after the credits roll, prompting reflection on the complexities of love, loss, and the human condition. The directors hope their film contributes to a more open and honest conversation about mental health, challenging stigmas and fostering understanding.